• About Me
  • Contact Me
  • Policies
  • Welcome

Novelhistorian

~ What's new and old in historical fiction

Novelhistorian

Tag Archives: 1957

Drinka Pinta Deatha Day: Murder by Milk Bottle

02 Monday Nov 2020

Posted by Novelhistorian in Reviews and Columns

≈ Leave a comment

Tags

1957, book review, Brighton, British humor, England, historical fiction, inept police, Lynne Truss, madcap comedy, milk, mobsters, murder, mystery fiction

Review: Murder by Milk bottle, by Lynne Truss
Bloomsbury, 2020. 320 pp. $27

The summer of 1957 has witnessed plenty of deadly violence in Brighton, England, and Constable Twitten longs for a respite. But he’s not going to get one. Three more victims soon bite the dust in rapid fashion, sending this seaside resort town into a tizzy over the August Bank Holiday weekend. What’s more, all three met their end courtesy of milk-bottle shards. This is a rather unfortunate coincidence, since the Milk Girl, a lovely young woman hired by the dairy industry, will be making a publicity appearance, opening a milk bar. Or is it a coincidence?

Consider to the influence of an ice cream competition, judged by the local police inspector, Steine. Don’t forget the beauty contest, widely believed to be rigged, or the barber competition, which has a similar reputation. For good measure, we have a stampede of docile milk cows, a girls’ school with a troubled past, and Mrs. Groynes, char lady at the police station, whose real profession is running organized crime in Brighton.

Incidentally, she’s the only organized person in the station, for the police are utterly incompetent. Constable Twitten, though he sees much, as his first name, Peregrine, would suggest, makes a hash of interpreting it, as his last name implies. He’s perennially blind to the attractive young women who keep falling in love with him, the anti-James Bond. He also has a gift for saying the wrong thing at precisely the wrong moment, so these women may be better off without him. More educated than either Sergeant Brunswick or Inspector Steine, he correctly assumes he’s got more on the ball. But he can seldom convince them of anything, and his manners don’t help. Mrs. Groynes mentors him, when it suits her purposes, fully aware that no matter what Twitten says, he’ll remain the only copper in Brighton who knows she’s a criminal.

As I hope you’ve gathered by now, Murder by Milk Bottle is a riot. I’ve never laughed so often at a mystery, one that recalls British film comedies from the 1960s about blundering police, criminals, or both. (See, for example, The Wrong Arm of the Law, released in 1963, in which Peter Sellers plays a mobster named Pearly Gates.) But Truss has her own style, often witty, very often madcap, never taking itself too seriously. The plot churns merrily, with wry twists and clever turnabouts. You know that the bunglers will bungle, yet will somehow triumph in the end; you just don’t know how. The mystery narration itself is so clever that you’ll keep guessing (wrongly) until the end. And will the characters learn anything? I doubt it.

Truss’s prose is a treat, full of commentary, as with this passage about a dispatcher for roadside assistance:

Mr. Hollibon was an ardent smoker with all the hallmarks of a man who has inhaled warmed-up toxins continuously for more than thirty years. The puckered skin, deep-stained fingers, disgusting cough: he flaunted them all with pride. An army doctor had once asked if his cough was ‘productive,’ and he had replied, truthfully, ‘Yes, very.’ Leaning forward now, he alternately coughed and struggled for breath until (yes!) A veritable torrent of expectoration was produced. And then, pleased with himself, he lit a fresh fag to celebrate.

But there’s also plenty of wordplay. My favorite is the Cockney rhyming slang, in which the phrase “best whistle” refers to whistle and flute, meaning suit; or “boat,” short for boat race, meaning face. But there’s also Twitten’s predilection for psych talk, which is ridiculously funny, and the name of the girls’ school, Lady Laura Laridae (Laridae is the class of sea birds that includes gulls). And finally I’ll cite the author’s play on the famous advertising phrase of the dairy industry, Drinka Pinta Milka Day, which a waggish Brighton newspaper publisher, considering all the mayhem, turns into Drinka Pinta Deatha Day.

None of this surprises me, given Truss’s fame for Eats, Shoots & Leaves, her plea against the cold-blooded murder of the English tongue, as Professor Higgins put it in My Fair Lady. But I tell you, if she wishes to write a mystery revolving around death by comma (Oxford or inverted), I’m down for that.

Disclaimer: I obtained my reading copy of this book from the publisher through my work for Historical Novels Review.

Small Moments, Big As Life: This Is Happiness

13 Monday Apr 2020

Posted by Novelhistorian in Reviews and Columns

≈ Leave a comment

Tags

1957, book review, disillusionment, elegy to a bygone life, empathy, historical fiction, Ireland, literary fiction, Niall Williams, small moments, storytelling, the power of prose

Review: This Is Happiness, by Niall Williams
Bloomsbury, 2019. 380 pp. $28

Just before Easter, in Faha, a small town in county Clare, two events take place, momentous for rural Ireland in 1957: It stops raining, and Father Coffey announces that electricity is coming. Equally important to seventeen-year-old Noel Crowe, who’s visiting his grandparents from Dublin — fleeing his decision to leave the seminary —Christy McMahon arrives to stay as a boarder. That draws keen interest in Faha, as newcomers do. However, Christy’s a wise, kind-hearted man in his sixties who looks as if he’s been around the world, which impresses Noel even more and offers precisely what he needs, a mentor who has plenty to teach but a diffident manner in imparting it. From this premise comes an unusual coming-of-age novel.

For the first thirty pages, you may think that there’s no story here, even granting Williams his extraordinary prose (pick a page; you’ll find something quotable), so that This Is Happiness promises to be a slog. And I’ll admit, for a while, every time I put the book down, I kept asking myself why I continued reading. Prose alone can’t carry me through a narrative; I don’t care who’s writing it. But every time I picked the book up again, I got lost in the storytelling, and now I feel foolish for having doubted. Plenty happens in this novel, only in small moments. But as our narrator, now grown old, observes of Faha and what he learned there, “Here’s the thing life teaches you: sometimes the truth can only be reached by exaggeration.”

So it is that the uncommon sunshine affects Faha in baroque ways; the erection of poles to string electrical wires creates outlandish drama; and Christy’s arrival to work for the electric company has another, secret motive behind it. Even Father Coffey’s position as the new, young priest in town alters the path of life, though the difference between him and his elder predecessor may seem small, at first. Legions of stories crop up to explain all these mysteries; everyone in town has a different opinion, and therefore a different version to share. Life’s fuller that way.

Poulnabrone dolmen, the Burren, county Clare, Ireland, 2005 (courtesy Steve Ford Elliott, via Wikimedia Commons)

Consequently, This Is Happiness explores the power of storytelling and how a boy receives life lessons from it; in the process, the narrative sings an elegy to life gone by, without making judgments. The advent of the new, as with electricity and a younger man in the pulpit, will change Faha forever. But the alteration isn’t evil, it’s just life.

Noel will change too. He goes by Noe, a nice descriptive touch for a young man who’s not fully formed and well aware of it; he’s also a terrific narrator. He knows everyone’s flaws, including his own — the latter perhaps too much to expect from a seventeen-year-old, even in the confusion of retrospect — but he sees with clear eye, warm heart, and empathy for all. Here, he describes his grandparents’ house during the rainy season, which is to say, most of the time:

It was the smell of bread always baking, the smell of turf-smoke, the smell of onions, of boiling, the green tongue of boiled cabbage, the pink one of bacon with grey scum like sins rising, the smell of rhubarb that grew monstrous at the edge of the dung-heap, the smell of rain in all its iterations, the smell of distant rain, of being about to rain, of recent rain, of long-ago rain, the insipid smell of drizzle, the sweet one of downpour, the living smell of wool, the dead smell of stone, the metallic ghost stench of mackerel that disobeyed the laws of matter and like Jesus outlived itself by three days.

But don’t assume the unhurried pace or repetition of phrases implies that nothing moves in Faha. Things travel great distances, in fact, but in minds and hopes, the thwarting of desires and dreams, the accommodation to that, and in music (another important presence), and laughter, the necessary curative.

To be sure, This Is Happiness follows a rhythm unusual in modern life, partly because Faha isn’t modern, as we’d define it. But if you can accept that rhythm for what it is, you’ll be richly rewarded.

Disclaimer: I received my reading copy of this book from the public library.

Orgy on the Shore: Cape May

05 Monday Aug 2019

Posted by Novelhistorian in Reviews and Columns

≈ Leave a comment

Tags

1957, book review, characterization, Chip Cheek, historical fiction, Ian McEwan, Jersey shore, literary fiction, narrative skill, rural Georgia, sense of place, sexual attitudes, sexual tension

Review: Cape May, by Chip Cheek
Celadon, 2019. 243 pp. $27

In 1957, Henry and Effie, married straight out of a small-town Georgia high school, honeymoon in Cape May, New Jersey. Borrowing a cousin’s cottage, they arrive at the end of September to find the town deserted — naturally, because it’s a place where the well-to-do summer, and now they’re gone. That’s only the first fact to surprise the innocent, unsophisticated newlyweds, and Effie’s instinct is to go home after a couple days. But Henry, unsure of her, though they’ve known each other for years — he can’t quite believe that the mayor’s daughter chose him — takes her notion to mean that she doesn’t want his company. That insecurity leads to much trouble and the discovery that the Jersey shore is much farther from rural Georgia than the mere distance indicates.

A group of city sophisticates welcomes them next door to a nonstop party, though absorb would be a fitter word. Max, a sometime writer, heir to a shipping fortune, and a lewd drunk, drives the festivities with his lover, Clara, who was in show business at one time. Alma, Max’s sullen, gorgeous half-sister, acts as though she’d rather be anywhere else, but she draws Henry’s eye. At first, he’s more susceptible to this crowd’s invitations than his bride, attracted by the veneer of “civilization,” as he calls it, what these mildly degenerate Yankees represent to him. And in that fever, he loses his common sense and his moral compass, helped by a power outage after a storm (something of a cliché, there).

Cheek’s a terrific observer, especially of social interactions and sexual mores. What could have been a stagey, turgid domestic drama stewing in its own juices feels surprisingly open, fluid, and freewheeling. This requires a subtle touch, the ability to evoke movement even when people are sitting still, and simmering tension below the surface, at all of which Cheek excels. Throughout, there’s a sexual charge, like a humid summer day before a thunderstorm. All of these elements derive from the prose, which does its work simply, never calling attention to itself, yet conveys the mood in vivid, active images:

Through the big windowpanes, now that the inside was brighter than the outside, Henry could see more people gathering in the den, big groups of them, laughing, sipping from martini glasses, smoking cigarettes. He saw the beatnik in the slip take her shoes off and hand them to a man who placed them into a potted plant. He saw a naked toddler run screaming from the archway. He saw an Oriental woman with a complicated bun and a silvery eye shadow. He saw a man with circular sunglasses and a shaved head under a beret.… For the past week he’d felt isolated from the world, and now the world was upon him, or some strange version of it.

For all that, though, Cape May falls short of memorable. I understand Henry, somewhat, but Effie hardly at all, and the sophisticates even less. They seem too brittle to feel anything, rushing from experience to experience to prevent what they most fear, boredom. I would have wanted flashes of depth, glimmers of what they’re trying not to face; though, since the newlyweds provide the only perspectives as naïve observers, that’s difficult to achieve. Cheek seems to be saying that the Georgians’ innocence is also a veneer, that they share their new friends’ desires, and we’re all the same underneath, city mouse or country mouse.

That’s fine, but absent fuller characterizations or any particular connection to time and place — if it weren’t for clothing styles or brief mentions of current events, I would never have known it was the late Fifties — we’re left with what sex means, or what it means to Henry, Effie, and the reader. And as for sex, there’s plenty of it, licit and otherwise. Cheek does well to make the scenes matter-of-fact and realistic — no breathless, inflated bodice-ripper descriptions — though I do wonder how these people manage to get it on after half a dozen gins-and-tonic.

Cheek’s a fine writer whose subject matter and theme remind me of Ian McEwan’s On Chesil Beach, also about newlyweds clueless about marriage. But the people in Cape May seem more a collection of attitudes than complex humans, and their plight therefore less than powerful.

Disclaimer: I obtained my reading copy of this book from the publisher via Historical Novels Review, where this post appeared in shorter, different form.

Recent Posts

  • The 1918-19 pandemic
  • Learning to See: Swimming Between Worlds
  • Lost Child: We Must Be Brave
  • Blackmail and Murder: Hot Time
  • Soft-Rock Sixties: Songs in Ursa Major

Recent Comments

Novelhistorian on Stick-Figure Holocaust: While…
Francine Lerner on Stick-Figure Holocaust: While…
Novelhistorian on Trauma and Post-Trauma: Death…
Dee Andrews on Trauma and Post-Trauma: Death…
Trauma and Post-Trau… on A Very Odd Couple: Crooked…

Archives

  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014

Categories

  • Comment
  • Reviews and Columns
  • Uncategorized

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Blogs I Follow

  • Roxana Arama
  • Damyanti Biswas
  • madame bibi lophile recommends
  • History Imagined: For Readers, Writers, & Lovers of Historical Fiction
  • Suzy Henderson
  • Flashlight Commentary
  • Diary of an Eccentric

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 170 other followers
Follow Novelhistorian on WordPress.com

Recent Posts

  • The 1918-19 pandemic
  • Learning to See: Swimming Between Worlds
  • Lost Child: We Must Be Brave
  • Blackmail and Murder: Hot Time
  • Soft-Rock Sixties: Songs in Ursa Major

Recent Comments

Novelhistorian on Stick-Figure Holocaust: While…
Francine Lerner on Stick-Figure Holocaust: While…
Novelhistorian on Trauma and Post-Trauma: Death…
Dee Andrews on Trauma and Post-Trauma: Death…
Trauma and Post-Trau… on A Very Odd Couple: Crooked…

Archives

  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014

Contents

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Blog at WordPress.com.

Roxana Arama

storyteller from a foreign land

Damyanti Biswas

For lovers of reading, crime writing, crime fiction

madame bibi lophile recommends

Reading: it's personal

History Imagined: For Readers, Writers, & Lovers of Historical Fiction

Suzy Henderson

What's new and old in historical fiction

Flashlight Commentary

What's new and old in historical fiction

Diary of an Eccentric

writings of an eccentric bookworm

  • Follow Following
    • Novelhistorian
    • Join 170 other followers
    • Already have a WordPress.com account? Log in now.
    • Novelhistorian
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...